showing 37 results matching creditline:"The Anne and Hadlai Hull Fund"

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%C2%A9 Richard Hunt%2C C.M.%2C O.B.C.

Transformation Mask, 1993

Richard Hunt

Not on View
round bodied vessel with rounded bottom; handle with spout; decorated with incised stylized face made of geometric shapes, in black, yellow, red and white

Double spout Vessel, c. 900-200 BCE

Paracas

Not on View
portrait of a young black woman with her PL fist in front of her chin, wearing a flowered blouse, with her hair in six twists sticking straight out of her head

%C2%A9 Sory Sanl%C3%A9

La Jeune Malienne, 1970 (printed 2017)

Sanlé Sory

Not on View
three black men in front of an adobe-like wall at night; two men in front push on each other with their forearms, while shirtless man in back partially crouches and looks beneath other men's arms; man at right wears a cowboy hat; both men in foreground wear denim jackets, rolled-up jeans and boots

%C2%A9 Sory Sanl%C3%A9

Les Cow-Boys de la Brousse, 1971 (printed 2017)

Sanlé Sory

Not on View
two standing women, facing each other, with heads turned to face picture plane; shorter woman at left holds a small bouquet of flowers; taller woman at right has her PL hand on her hip and wears a headwrap and a lace blouse; blouse and skirt of woman on left and skirt of woman on right are the same circle-patterned fabric; dotted curtain behind women; checked tile floor

%C2%A9 Sory Sanl%C3%A9

Les Deux Amies au Pagne, 1972 (printed 2017)

Sanlé Sory

Not on View
portrait of a black man wearing a paisley patterned long-sleeved shirt, with his PR elbow on his PR thigh and his PL hand on his PL thigh, holding a pipe in his PR hand

%C2%A9 Sory Sanl%C3%A9

L'homme a la pipe, 1970 (printed 2017)

Sanlé Sory

Not on View
portrait of a young man wearing an Aussie hat and a black and white striped knit scarf with a striped short-sleeved shirt

%C2%A9 Sory Sanl%C3%A9

La Belle Ă©charpe, 1971 (printed 2017)

Sanlé Sory

Not on View
three young men crouching in foreground, with young man at left handing a pack of cigarettes and young man at center holding a record album; two young couples standing behind young men, with their arms around each other; young women are wearing blouses with the same geometric patterning (the only difference being the direction of the patterning--horizontal on girl at left, vertical on girl at right) and skirts with the same patterning of a planet with rings; girl at left wears sunglasses; painted backdrop of buildings on city street behind figures; patterned tile floor

%C2%A9 Sory Sanl%C3%A9

Les Jeunes MĂ©lomanes, 1974 (printed 2017)

Sanlé Sory

Not on View
portrait of a black man wearing dark glasses, dark suit jacket and dark tie, with a cigarette in his mouth; card with printed text in man's jacket pocket

%C2%A9 Sory Sanl%C3%A9

L'homme qui fume, 1971 (printed 2017)

Sanlé Sory

Not on View
portrait of a black man wearing a simple military uniform with a flat-topped hat and with a medal on his PR breast pocket; picture of a plane behind man

%C2%A9 Sory Sanl%C3%A9

Le commandant, 1976 (printed 2017)

Sanlé Sory

Not on View
young man wearing a dark suit and large round sunglasses, with a fringed shoulder bag, seated on a motorcycle; fragment of painted decoration with flowers, foliage and swags behind man

%C2%A9 Sory Sanl%C3%A9

Yamaha de Nuit, 1972 (printed 2017)

Sanlé Sory

Not on View
two seated men; younger man on left wearing glasses, hat, Adidas t-shirt, pants and flip-flop shoes, holding a boom box on his lap; man on right holding a stringed instrument with a lozenge-shaped body on his lap, wearing matching garments (pants, long shirt, jacket) with brocade pattern and sandals; painted backdrop with buildings on a street

%C2%A9 Sory Sanl%C3%A9

Mali Djeli, 1984 (printed 2017)

Sanlé Sory

Not on View
standing black woman wearing a long skirt and a sleeveless blouse made of the same fabric printed with double hearts pierced with an arrow and the words, "AMOUR" and "MA CHERIE"; woman also wear gold hoop earrings and a printed headwrap and carries a purse with a diamond design; checked floor; cloth backdrop with a painted backdrop of column and flowers at left

%C2%A9 Sory Sanl%C3%A9

Amour, ma chérie, 1970 (printed 2018)

Sanlé Sory

Not on View
young girl in a blue hijab looking at the camera and leaning against a teal wall

%C2%A9 Rania Matar. All rights reserved. Courtesy of the Artist and Robert Klein Gallery.

Samira 13, Bourj El Barajneh Refugee Camp, Beirut Lebanon, 2012

Rania Matar

Not on View
two vertical flannel strips, edged in blue and white beads; one red strip with blue and yellow stripes at bottom, one blue strip with white, red and yellow stripes at bottom; horizontal loop at top creating necktie shape; red ties attached to leather thongs

Tie, from a church roadman's costume, mid 20th century

United States

Not on View
two woman in an interior seated at a glass table; elderly woman wearing white holds her hand to her chest and a younger woman wearing orange seated to the older woman's left holds her other hand to her face

%C2%A9 Rania Matar. All rights reserved. Courtesy of the Artist and Robert Klein Gallery.

Brigitte and Huguette, Ghazir Lebanon, 2014

Rania Matar

Not on View
standing man at R with two spears and another long, thin object; very large bird at L; hatched lines and dashes throughout figures; red-brown

%C2%A9 Nguleingulei Murumura

Hunter and Emu, c. 1965

Attributed to Nguleingulei Murumura

Not on View
top panel shows abstracted possums and birds; central panel shows two men with staffs flanking a plant; bottom panel shows two wormlike figures and bird; wavy lines in background, with dots and dashes; orange, red, white and black

Copyright of the artist%2C artist%27s estate%2C or assignees

Dhalwangu and Mangulili Tribal Stories, c. 1965

Yinitjuwa

Not on View
image of a shirtless smiling man holding a camera in front of his stomach, viewed in a small mirror against a concrete wall

%C2%A9 Sory Sanl%C3%A9

Autoportrait au Miroir, 1966 (printed 2017)

Sanlé Sory

Not on View

Mask, 1968

Eket

Not on View
Shirt with long neck opening with multicolored braided tassels with buttons on ends; allover multicolored embroidery with six bordered blocks with geometric motif on front and allover organic and geometric designs on back; sequins and shiny metal disks encorporated throughout design SO / EMB

Wedding tunic, 20th century

Pakistan

Not on View
floral repouse design in 4 horizontal bands; openwork floral design at largest point; 2 rows of bells; crownlike openwork finial

Rimmonim (Torah finial) (one of a pair), c. 1867-72

Austria

Not on View
hexagonal shaped box with rounded corners; 2 small buttonlike seals, on lid and base, on one side; brown and tan slightly dripped glaze

%C2%A9 Warren MacKenzie

Box, 1998

Warren MacKenzie

Not on View
Standing Black woman in red robes, singing

%C2%A9 Gwendolyn Knight %2F Courtesy Francine Seders Gallery Ltd.

Pleas and Thank Yous: 100 True Stories, 1991

Gwendolyn Knight

Not on View
floral repouse design in 4 horizontal bands; openwork floral design at largest point; 2 rows of bells; crownlike openwork finial

Rimmonim (Torah finial) (one of a pair), 19th century

Austria

Not on View
Shirt with long neck opening; allover multicolored embroidery in repeated organic designs on an orange ground on front and geometric and floral designs, predominately in blue and black, on back; sequins on front and metal disks on back

Wedding tunic, 20th century

Pakistan

Not on View
Shirt with long neck opening with multicolored braided tassels trimmed with bells; allover multicolored embroidery in geometric designs (mainly circles); multicolored sequins and shiny metal disks encorporated throughout design SO / EMB

Wedding tunic, 20th century

Pakistan

Not on View

Stoke-by-Nayland, Suffolk, 1829-1830

John Constable; Artist: David Lucas

Not on View
ovoid in shape with tiki head at each end and body carved below; deeply carved geometric design overall

Feather Box, 19th century

Māori

Not on View
variegated light green/ white; large shallow dish with wavy radiating concentric circles; darker at center

Large Platter, c. 2003

Inoue Yasunori

Not on View

Wafa'a and Samira, Bourj El Barajneh Refugee Camp, Beirut Lebanon, 2017

Rania Matar

Not on View

Earrings, mid 20th century

United States

Not on View

Pin, mid 20th century

United States

Not on View

Pin, mid 20th century

United States

Not on View

Pin, mid 20th century

United States

Not on View

Pin, mid 20th century

United States

Not on View

Pin, mid 20th century

United States

Not on View

showing 37 results matching creditline:"The Anne and Hadlai Hull Fund"

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